Canon HJ 21×7.5 KLL Cine Style HD Zoom LensThis lens is intended for directors and cinematographers who use digital motion picture systems for production of prime time drama and episodic television, television commercial, and feature movies.

The HJ21×7.5B KLL-SC will be attractive to many cinematographers who seek this degree of extended control over lens focal length. Weighing in at 5.9 lbs, the lens works well in diverse applications – including handheld, compact tripod, lightweight jib-arm, and Steadicam shooting. It is particularly suited for long shooting distances on location.

The design has achieved a very high MTF that is optimally distributed across the image plane and that holds up well over the entire 7.5mm to 158mm focal range. Combined with the superb contrast performance and a remarkably well-controlled relative light distribution characteristic, the resultant-picture sharpness contributes to imagery of extraordinary clarity.

Focal Length: 7.5mm to 158mm

Zoom Ratio: 21x

T-Stop: T 2.1

Weight: 5.28 lbs.

Minimum Focus: 3′10

2x Extender: No

RED RENDERS OBSOLESCENCE OBSOLETE

The RED ONE™ body – designed for flexibility and functionality. Weighing in at 10 lbs, this is a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount, it allows you to take advantage of the world’s finest optics. Modular and upgradeable, the RED ONE™ camera is a future-proof acquisition system you can build upon. RED ONE™’s modular design means you can upgrade with us as we add new features and accessories, as well as benefitting from performance improvements with each new free firmware upgrade.

PIXEL SHIFTING AND UP-REZZING NOT SPOKEN HERE

Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color sub-sampled video at up to 30fps. RED offers the Mysterium ™ Super 35mm cine sized (24.4×13.7mm) sensor, which provides 4K (up to 30 fps), 3K (up to 60 fps) and 2K (up to 120 fps) capture, and all this with wide dynamic range and color space in 12 bit native RAW. At 4K, that’s more than 5 times the amount of information available every second and a vastly superior recording quality. In addition, you get the same breathtaking Depth of Field and selective focus as found in film cameras using equivalent 35mm P/L mount lenses. Mysterium ™ boasts greater than 66db Dynamic Range thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.

RED ONE IS A MODULAR DESIGN

Shoot lightweight EFP style (body around 10 lbs., in rugged aluminum alloy) or load it up to shoot a feature film. Options include RED-RAIL™ mounting accessories that “grow” the camera body. Configure for tripod, crane or long lens applications. High-resolution RED LCD and EVF monitors come equipped with advanced tools for framing, exposure and focus. The RED ONE™ body and RED-RAIL components provide numerous mounting points to allow hundreds of optional RED and third party accessories… some that haven’t even been dreamed of yet. Choose between the convenience and durability of recording directly to Compact Flash, in-camera, or outputting signal to RED FLASH DRIVE or RED DRIVE (RAID) for even longer recording options.

The highly respected HDW-F900 camcorder has now been refined into the next-generation HDW-F900R, offering a variety of further enhanced functionalities.

The HDW-F900R camcorder records images in accordance with the CIF (Common Image Format) standard, which specifies a sampling structure of 1920 x 1080 active pixels (horizontal x vertical). Plus, as well as recording at 24P, the HDW-F900R camcorder is switchable to record at 25P, 29.97P progressive scan, and also at 50 or 59.94 Hz interlaced scan. The camcorder also provides a comprehensive range of features for creative shooting such as enhanced gamma features and colorimetry controls. Plus, the design of the HDW-F900R is highly compact and lightweight, giving users higher levels of mobility and comfort when shooting.

Uses HDCAM tape format.

It offers many of the same features of a 35mm motion picture film camera.

Acquire in hi-def and deliver on any medium. The color tonality of the camera can still capture and deliver your message with notable enhancements than ever before.The high resolution that the camera produces can easily be down converted to any format you wish. This allows you to begin to future proof your material.

• The Sony Cine Alta HDW-F900/3 camcorder shoots multiple frame rates: 24p, 25p, 30p, 50i, 60i, 23:98p, 29:97, and 59:94.

The camera resolution is always 1080.

• Either 1080i (interlaced: real time video) or 1080p (progressive: the film look – variances between 24p, 25p, 30p)

The camera image aspect is always 16×9.

• Again, allowing you to future proof your material.

Using the Sony JH3 HDCAM player can give you a 4×3 aspect image from the 16×9 aspect without any distortion, allowing you to return to the material at a later date and use the 16×9 aspect when it is needed. The JH3 player also has the ability to letterbox for 4×3 aspect.

16×9	4X3

• Because of the multi-frame rate capabilities it has been accepted world wide. For example, 25p and 50i are European standards.
• It is easier to begin with 1080 resolution and down convert to 720p or 480p than it is to up convert. To up convert can cause some unknown technical issues to arise.